Archive for the ‘Mid-town’ category

Windward Sculpture on 3rd Avenue and 42nd Street

May 10, 2008

Okay, I admit it. I spend too much time looking up at one of my favorite buildings in all of NYC. And let’s fact it, the Chrysler Building is on everybody’s short list of favorite buildings in NYC.

Maybe that’s why I have walked by a 1961 sculpture by Jan Peter Stern called “Windward” about a bazillion times without noticing it. It’s only about a block away.

Or, maybe it’s because they have it tucked away in a little corner.

Or, maybe it’s because it doesn’t seem to have anything to do with the word “windward” at all. To me, it’s just another bit of artistic flotsom from the 1960s.

But if you want to see it, it’s on the southeast corner of the intersection.

-H

Protest on 42nd Street

May 3, 2008

Mid-afternoon today, I started hearing shouts outside my place. It seemed to be coming from 42nd Street. I figured there was a protest going on and it turns out there was a protest going on.

Well, it’s near the United Nations and its near the Israeli Consolate, so what else could it be…except a legalize marijuana protest?

I left my apartment and easily caught up with them.

Mostly, it just seemed to be another group desperate to recapture the 1960s. I truly loved the signs about how they need to legalize it to help people get cured from their various ailments. (I know it is used to treat certain eye problems and to quell nasua from chemo, but there are pills for the latter and a quick Google has some sites saying it has no particular advantage for glaucoma whereas others say it’s the best thing since sliced bread for it.) There are other cited diseases it can be used for, but I have no idea as to their real status.

The crowd was doing your standard 1960s chanting and broke into song at one point (the “Na Na Hey Hey Kiss Him Goodbye” chorus was changed to “Marijuana, Marijuana, Hey Hey Goodbye” or “Good Buy” or something like that).

For a group that mostly was citing medical relevance in their signs, there was a distinct attempt at counterculture appearance. That’s fine. But the 60’s were 40 years ago. A little bit like if my generation put on raccoon coats and beanies during my college period, I guess.  (Actually, that might have been really cool, but I had no access to raccoon coats.)

I loved this last sign. “Respect Life Weeds Earth”. It’s a bit incoherent and logically very…illogical. I presume that the wielder is trying to point out that marijuana (“weed” in 1960s/70s parlance – good to know the slang of my childhood continues) is a natural substance and is thus good. I don’t know how that jump is made, but it is by lots of people.

The protest was maybe 200 people? I didn’t bother to try and count. They were all in a bunch about 50 to 70 yards long, but it was a tight bunch of people. And they were followed by a lot of cops. I wondered about the cops being in such abundance, but that’s kind of typical of NYC protests. They like to have numbers on their side.

 

 All in all, a bit of a timewarp and it gave a bunch of kids, who are probably getting ready for exams, a chance to blow off some steam. There may have been a few of them who were strongly interested in the medical angle, but they were hanging out with a bunch of stoners. (I do love my old slang.)
 
-H

The Yale Club and Nathan Hale

April 27, 2008

At Vanderbilt Avenue and 46th Street (right across the street from Grand Central, on the west side) is a nice little place with the initials YC.

It’s the Yale Club. There are a whole bunch of these little university-based clubs in NYC. The only one I’ve been to was the Princeton Club, but that was by invitation from a vendor at my company (the vendor’s owner was, I think, a member).

But the site is more than the current location of the Yale Club. I recently spotted the plaque below just at the edge of the building.

It reads “At the British artillery Park near this site, Nathan Hale, Captain in the U.S. Army, Yale Graduate of 1773, apprehended within enemy lines while seeking information, was executed on the morning of September 22, 1776. His last words were ‘I only regret that I have but one life to lose for my country’ Erected by Mary Washington Colonial Capter, D.A.R. and the Yale Club of New York”

I hadn’t realized it had taken place so close to where I live. Nor had I ever realized how early in the Revolution that his hanging had occured, only about 3 months into it.

-H

Lever House Redux

April 26, 2008

Well, NYC is always changing and Lever House has updated its pretty bad artwork (at least in my estimation) with equal artwork (also in my estimation).

But they moved it indoors! I guess that’s what they consider progress.

I’m not any sort of art critic, but I know what I find interesting versus non-interesting. The new artist’s work this time isn’t bad in any aesthetic sense. It’s actually interesting in one or two ways. But not sufficiently so.

First, the good part. They removed the gutted “Virgin Mother” and put in some plants.

I fully approve. Nice planting. Kudos to the grounds staff.

The new artwork is inside the Lever House lobby. Artist Richard Dupont has a display going on until May 3 where he made a series of images of himself, in a sort of sculpture. Actually, into nine identical life-sized (I suppose) sculptures of himself. But they aren’t identical and they aren’t life-sized. Each is supposed to be different and only looks life-sized from one angle. What that means is that they are squashed thin or flat or not-squashed depending on the angle. Oh, and the figures are all naked.

When I looked at it, the place wasn’t open to the public so I couldn’t take a closer look. All I could really see was that they were actually pretty well done, but I don’t understand the point of the “squashing”. There’s some text in the window that says “Dupont has created nine self-portraits that are laterally and horizontally manipulated so that they are radically distorted and can be only be seen as an accurate, complete body from one vantage point.” If the point of the sculpture is that we can’t use one viewpoint to truly know the man…that ain’t news. In fact, it is more accurate to portray that sort of thing by showing that no angle and no single or multiple perspective really gives you a true view of the man, naked or not. Not even of ourselves. The real truth is that we are unknowable.

But what do I know? I guess I’m just an ankler who is jealous that other people get to do such interpretations at Lever House.

I do have to admit that I am looking forward to the future of Lever House artwork. We’ve had a nude, giant, gutted, pregnant woman. And we’ve had squashed, mostly-life-sized, naked men. I’m betting on hundreds of miniature, shaved dogs and cats in some form for the next exhibit. Ever seen a shaved collie? Or maybe they get clothes like Barbie. (She’s got plenty of outfits to spare.) Malibu Poodle!

Actually, I might like that, so it won’t happen. I’ll keep an eye out, though.

-H

Inside the Second Avenue Deli

April 25, 2008

I finally ate at the 2nd Avenue Deli.  I’ve posted on it twice (here on their location and history and here on their previous site).

But now I’m a graduate of the place.  Or is that an alumnus?  Or a patron?  Or an experiencer?  Anyway, I’ve now eaten there.

It was fine, but it’s just a deli.  A good deli, but just a deli.  In truth, they don’t try to pass themselves off as anything but that.

It’s got a nice interior.

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And they have the traditional pictures on the wall sort of thing.

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At the entrance into the place, there’s the traditional counter with food, too.

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Anyway, I had their meat and potato knish. Sort of a big potato pancake. Pretty good.

-H